Born out of frustration with a market flooded by cheap, flimsy signs—stickers on tin, plastic posing as neon, and lifeless "reproductions" that feel like a slap in the face to the brands we grew up admiring.
It reminded me of something my Father always said, "a million good ideas, don't equal to one execution."
We decided to stop talking and do something about it.
To honor the past and the iconic brands that shaped it by building authentic, high-quality reproductions—the kind made with real porcelain enamel, heavy-gauge steel, and hand-blown glass. Just like the originals.
But this goes deeper than materials.
We aim to:
Many of the designs we reproduce are believed to be in the public domain or come from brands no longer in operation. We take intellectual property rights seriously and make every effort to avoid infringing on active trademarks. Whenever possible, we pursue official licensing to ensure our work reflects the standards and values these brands deserve.
We’re a young company, and it hasn’t been easy to reach the right people yet. But we’re trying.
We’re sending emails, making calls, and doing everything we can to open the right doors.
So until we do, we’re donating 10% of our profits to foundations and charities tied to the brands we recreate—because if we can’t shake hands with them yet, we can still show respect where it’s due.
This isn’t just nostalgia.
It’s about doing things the right way.
Because some things are worth preserving.
We don’t just make signs—we stand behind them. If something ever isn’t right, we’ll make it right. No excuses, no hassle. Just honest work from people who still believe in doing things the right way.
Kiln-fired in layers—just like the signs made 80 years ago. Glossy, durable, and built to last.
No aluminum. No shortcuts. Every sign is made with real steel you can feel.
We roll the edges, punch the holes, and give it the kind of finish that makes it feel like it’s always belonged.
Not mass-produced. Not imported. Every sign is made right here, by people who care about doing it right.
I’ve been around antique and vintage advertising my entire life.
Over 35 years ago, my dad was running restaurants and couldn’t find authentic-looking antiques at a price that made sense.
So he started making them himself—high-quality vintage-style reproductions—and built what quickly became the largest antique reproduction company in the country.
Along the way, he also built one of the most respected antique advertising collections out there. I was hooked from the beginning.
Eventually, I became a licensed auctioneer and went on to sell thousands of original signs.
But it always bothered me that collectors only had two options: pay a fortune for damaged originals, or settle for cheap knockoffs made from aluminum and stickers.
I knew there had to be a better way—one that respected the past, upheld the craftsmanship, and didn’t cut corners.
The world of reproductions isn’t like typical manufacturing. Increasing production without sacrificing quality is an art—and it’s one I’ve spent years learning firsthand.
That’s what Porcelain Advertising is built on: doing it right, every time.